Abstract Retrospective

Geralyn will be showing her abstract works from the last 4 years at Black Market Gourmet in Coos Bay OR, from July 10th through the end of August. If you are in the area, please try to swing by and see the show. There will be an opening reception on August 6th from 2-4pm. Everyone is welcome!

Reconstructed

Reconstructed

Gallery 110, Seattle WA July 7 – 30, 2022

In her body of work titled “Reconstructed”, artist Geralyn Inokuchi explores painted paper collage in creating her non-objective abstracts. These pieces are a metaphor for life events and her personal growth over recent years. Inspired by the energetic work of David Tress, Geralyn began exploring compositions in her abstract collages that extended outside of the standard dimensions of the surface. Papers of various textures and thicknesses are painted and torn into smaller sections, then reassembled to emphasize a balanced asymmetric and dynamic work. Torn edges and uneven shapes are as much a part of the composition as are the expressive lines that flow from section to section. 

Geralyn’s inner landscape is reflected because of life events that have taken what she was and turned her into something new, much like the process used in creating these works. The pieces in this show can be seen as her journey through the last few years indicating a progression where resilience and healing are apparent. This personal landscape may show all of the imperfections, but it is also one which reflects something richer with more depth. In essence: reconstructed.

Reconstructed will be on display at Gallery 110 from July 7 – 30. The gallery is open to the public from 12PM to 5PM on Thursdays, Fridays, and Saturdays and by appointment. Or stop by during the Pioneer Square First Thursday Art Walk on July 7 from 4-8PM.

NPR for Oregonians

How to Look at Abstract Art: New Show at Maude Kerns Art Center 

By SANDY BROWN JENSEN MAR 10, 2021

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Sandy Brown Jensen shares tips on how to get the most out of looking at abstract art on KLCC's Viz City.


  This is Sandy Brown Jensen, and you’re listening to Viz City, KLCC’s art review program.

How do we look at and appreciate abstract art?

Geralyn Inokuchi, mixed media collage diptych entitled Pacific NW Travels.

CREDIT COURTESY OF MAUDE KERNS ART CENTER

One of the best places to think about the answer is at the Maude Kerns Art Center, which has two remarkable shows up through March 26.

I am standing in front of a paired set of large, abstract Geralyn Inokuchi paintings, totally absorbed. When I’m looking at abstract art like these dynamic explosions of blue, brown, rust and white, I first take whatever time it takes to shut down my monkey mind and turn off all my words.

Detail 1 of Pacific NW Travels, by Geralyn Inokuchi.

CREDIT COURTESY OF MAUDE KERNS ART GALLERY

I want to see as deeply as I can; I want to be emotionally open. I want to listen to the music of line and color and light without the burden of overthinking what I am loving about this art.

Eventually, I will read the title, and for these two paintings, the title,“Pacific NW Travels,” suddenly tells me what to think: the white is wind-flung surf breaking high off the dark rocks.

Abstract art can be compared to music—the kind without lyrics. Music affects us but doesn't actually represent anything. The artist is like a musician playing a piano. The keys are paint, line, color, and composition that make the strings vibrate to create music, which, as we all have experienced, can uplift our hearts or move us to tears—all without words.

Detail 2 of Pacific NW Travels by Geralyn Inokuchi.

CREDIT COURTESY OF MAUDE KERNS ART GALLERY


These richly textured paintings are composed by the artist using the same techniques as a musician—counterpoint, rhythm, movement, repetition and surprise.

Like a great concert, there’s no need to overthink abstract art. When you walk into the Maude Kerns gallery, big, swelling music is being played. Open yourself to it. Take it in as fully as you can. Let the image you love most draw you to it. Enter it like a dream, and let the feelings come. Give your words a rest, and let your imagination enter the art with the curiosity of a child.

This is Sandy Brown Jensen with KLCC.

Detail 3 of Pacific NW Travels by Geralyn Inokuchi.

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Dynamic Conversation at Gallery 110 Seattle WA

“Dynamic Conversation” is an exploration of surface, balance and the beauty of imperfection as expressed in the works of mixed media abstract artist Geralyn Inokuchi and ceramicist Rebecca Arthur.   The works reflect and enhance each others reliance on movement and texture, ultimately resulting in a conversation between 2D and 3D art.   

Featuring luscious surfaces, subtle texture and organic compositions, the work of these two artists flows together seamlessly. Geralyn Inokuchi references earth process in her paintings while Rebecca Arthur uses the processing of earth to create her ceramic pieces.  

Rogue Gallery and Art Center, Medford, OR: "Let it Be". August - September 2020

“Let it Be” is an exploration of surface, balance and the beauty of imperfection expressed in the works of ceramicist Rebecca Arthur and mixed media abstract artist Geralyn Inokuchi.  Together they explore the beauty in randomness that is required in the processes of each artist.  In creating this show, Rebecca and Geralyn reacted and responded to each other through their art as they created each piece. The result is a dynamic conversation between and ceramic art and abstract paintings.       

Abstract Sanctuary 7

INSIDE the ABSTRACT, post #13 Finding the moment

"I always try to find the moment where the painting says all that it needs to say." Geralyn Inokuchi

What attracted you to the 7th Annual Abstract call? I always think of abstraction as the only place I can be comfortable with my art so applying to Abstract Sanctuary was natural choice.

Does the idea of transformation influence your work and process? I think it does. As I work I am always thinking about what the painting wants to become and try to listen to what it is telling me. I see many different phases and consequently many possible paintings as the work progresses. I always try to find the moment where the painting says all that it needs to say. I feel it’s almost akin to watching a child grow into an adult. There is always a process of “becoming” except with my art I get to choose when I can freeze the transformation. And then too, I feel I am also transformed as I work on a painting. The possibilities that arise help to inspire me to try new approaches for new paintings.

Do you work in other modes of expression? I used to play the violin. I had to give it up because a few years ago, when I got my dog Willow, she decided the violin was not for her! I couldn’t bare her complaining when I played! I miss it though!

Who inspires you? Krista Harris, Hyunmee Lee, Joseph Maruska, Joan Mitchell.

What do you hope your work achieves? A sense of life on the Oregon coast and how it reflects my inner joys and struggles. There is such a range of experiences here. A peaceful calmness exists on one level but also there is a constant sense of action and turmoil. For example there is a sense of peace listening to the constant motion of the oceans waves, but on the other hand those of us who live here really understand the power of the ocean. I think my work explores that peacefulness and powerful motion.

Let It Be: Randomness in Abstract Art

Opening on July 13th with an artists reception on July 19th at the Coos Art Museum, Geralyn and Rebecca explore the relationship between abstract painting and pit fired ceramics. If you are in the area, please plan to join us! Show dates: July 13th through October 5th.

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Abstract Art Show at Black Market Gourmet

Abstract artists Elaine Dunham, Geralyn Inokuchi and Sharon Jensen will have a show of their recent works at Black Market Gourmet in Coos Bay OR during the months of September and October.  The opening reception will be Sunday, September 9th from 2-4pm.  If you are in the area please come by to meet the artists and enjoy some amazing artwork! All are welcome!

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